The idea that
it’s necessary for any writer to have to write on a certain topic or about certain
ideals is ridiculous. It’s just as ridiculous as believing that someone can write
something that isn’t steeped in the social/political issues of their day. There’s
no feasible way to cut out those influences whether you write a science fiction
novel set a thousand years in the future, or a biopic on Shakespeare. Every current
belief is going to inform your story in a meaningful way, even if you aren’t directly
challenging or upholding the status quo. Now, the idea that you have to write
about certain things or in a specific way in order to get published is unfortunately
very much a reality. But that’s a different question really. What is clear is
that even if you write the most squeaky clean, publisher friendly, non ideological
challenging text that you can, it is still very much a part of the time period’s
cultural fabric.
Emily
Dickinson may have written about the American Civil War, her poetry often can
be read to suggest that she did, but ultimately it doesn’t matter. That’s not
to dismiss the work of critics such as Tyler Hoffman, I think that their work is
extremely valuable. Instead I simply mean that knowing whether a writer consciously
wrote about something shouldn’t restricted a reading of their work. No text
stands alone, but is instead intertwined with all other documents from its time
period, and those before, creating a complex whole that’s full of competing ideologies.
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